What Effect Did Pop Art Have on American Culture?

"Pop is everything art hasn't been for the last two decades. Information technology's basically a U-turn back to a representational visual communication, moving at a break-abroad speed...Pop is a re-enlistment in the world...It is the American Dream, optimistic, generous and naïve."

ane of 7

"Buying is more American than thinking, and I'm as American as they come."

two of 7

"Everybody has called Pop Fine art 'American' painting, but it's really industrial painting. America was hit by industrialism and capitalism harder and sooner and its values seem more askew... I think the meaning of my work is that it's industrial, it's what all the world will before long go."

3 of vii

"Pop is everything art hasn't been for the last two decades...It springs newborn out of a colorlessness with the finality and over-saturation of Abstract Expressionism, which, by its own esthetic logic, is the END of art, the glorious pinnacle of the long pyramidal creative process. Stifled past this rarefied atmosphere, some immature painters plough back to some less exalted things like Coca-Cola, ice-cream sodas, big hamburgers, super-markets and 'EAT' signs. They are eye-hungry; they popular..."

4 of vii

"Everything is beautiful. Pop is everything."

5 of seven

"A Coke is a Coke and no corporeality of money can get you a ameliorate Coke than the one the bum on the corner is drinking. All the Cokes are the same and all the Cokes are good. Liz Taylor knows information technology, the President knows it, the bum knows it, and yous know it."

6 of seven

"[Pop Art is:] Popular (designed for a mass audition); transient (short-term solution); expendable (easily forgotten); depression cost; mass produced; immature (aimed at youth); witty; sexy; gimmicky; glamorous; and terminal but not to the lowest degree, Big Business."

vii of seven

Summary of Pop Art

Pop Art's refreshing reintroduction of identifiable imagery, drawn from media and popular culture, was a major shift for the direction of modernism. With roots in Neo-Dada and other movements that questioned the very definition of "art" itself, Pop was birthed in the United kingdom in the 1950s amidst a postwar socio-political climate where artists turned toward celebrating commonplace objects and elevating the everyday to the level of fine art. American artists Andy Warhol, Roy Lichtenstein, James Rosenquist and others would soon follow suit to go the almost famous champions of the movement in their own rejection of traditional historic artistic subject matter in lieu of gimmicky society's ever-present infiltration of mass manufactured products and images that dominated the visual realm. Perchance owing to the incorporation of commercial images, Pop Fine art has become one of the most recognizable styles of modernistic art.

Key Ideas & Accomplishments

• By creating paintings or sculptures of mass civilisation objects and media stars, the Pop Art move aimed to blur the boundaries betwixt "high" art and "low" culture. The concept that in that location is no bureaucracy of culture and that art may borrow from whatsoever source has been i of the about influential characteristics of Pop Fine art.
• It could be argued that the Abstract Expressionists searched for trauma in the soul, while Pop artists searched for traces of the aforementioned trauma in the mediated globe of advertisement, cartoons, and popular imagery at big. Merely it is maybe more precise to say that Pop artists were the beginning to recognize that in that location is no unmediated access to annihilation, be information technology the soul, the natural world, or the built environment. Pop artists believed everything is inter-continued, and therefore sought to make those connections literal in their artwork.
• Although Popular Art encompasses a wide multifariousness of work with very different attitudes and postures, much of it is somewhat emotionally removed. In contrast to the "hot" expression of the gestural abstraction that preceded it, Pop Art is mostly "coolly" ambivalent. Whether this suggests an credence of the pop world or a shocked withdrawal, has been the subject of much debate.
• Pop artists seemingly embraced the post-Earth State of war Two manufacturing and media blast. Some critics have cited the Popular Art choice of imagery as an enthusiastic endorsement of the capitalist market and the goods it circulated, while others accept noted an element of cultural critique in the Pop artists' elevation of the everyday to high fine art: tying the commodity status of the goods represented to the status of the art object itself, emphasizing art's identify as, at base of operations, a article.
• Some of the almost famous Pop artists began their careers in commercial art: Andy Warhol was a highly successful magazine illustrator and graphic designer; Ed Ruscha was besides a graphic designer, and James Rosenquist started his career as a billboard painter. Their background in the commercial art world trained them in the visual vocabulary of mass culture equally well equally the techniques to seamlessly merge the realms of loftier art and popular civilization.

Overview of Pop Art

From early on innovators in London to later deconstruction of American imagery by the likes of Warhol, Lichtenstein, Rosenquist - the Popular Art movement became i of the well-nigh idea-after of artistic directions.

Key Artists

• 

  Andy Warhol was an American Popular artist best known for his prints and paintings of consumer appurtenances, celebrities, and photographed disasters. One of the nigh famous and influential artists of the 1960s, he pioneered compositions and techniques that emphasized repetition and the mechanization of fine art.

• 

  Roy Lichtenstein was an American painter and a pioneer of the Pop art movement. His signature reproductions of comic volume imagery somewhen redefined how the art world viewed loftier vs. lowbrow art. Lichtenstein employed a unique form of painting chosen the Benday dot technique, in which pocket-size, closely-knit dots of pigment were applied to class a much larger image.

• 

  James Rosenquist is an American Pop artist whose paintings feature fragments of faces, cars, consumer goods, and other items in bizarre juxtapositions. With their realist rendering and attention to surface textures, his works have upwardly the visual language of advert and entertainment.

• 

  The Swedish-American creative person and architect Claes Oldenburg, an early figure in New York happenings and Popular fine art, is all-time known for his floppy sculptures and larger-than-life public works of consumer goods, musical instruments, and everyday objects.

• 

  Eduardo Paolozzi was a Scottish sculptor, printmaker and multi-media creative person, and a pioneer in the early on development of Pop art. His 1947 print 'I Was a Rich Homo's Plaything' is considered the very start work of the move. He was also a founder of the Contained Group in 1952.

• 

  Corita Kent, a Catholic nun that became a famous Pop Artist created bold and colorful silkscreen prints that championed social justice causes.

• 

  Richard Hamilton is an English painter and collage artist, and is best known as a founding member of the British Independent Group, which launched the mid-century Pop art movement. Hamilton's 1956 collage 'Simply What Is It That Makes Today'due south Homes And then Unlike, So Appealing?' is widely considered one of the offset works of Pop fine art.

• 

  Wesselmann was known for his paintings of nudes and his exploration of the female class. He reinterpreted the classic subject field of the female nude by breaking the body down into its most suggestive elements: lips, nips, and pubes, then juxtaposing information technology with general, consumerist, popular civilization.

• 

  Sigmar Polke was a German painter and lensman who founded the painting move Capitalist Realism with Gerhard Richter and Konrad Fischer. Much of his work is in appropriating the pictorial brusque-hand of advertizement found in much Pop Art and exploring the meaning behind diverse modernist and postmodernist movements.

• 

  David Hockney is an English painter, photographer, collagist and designer. Hockney's influence was particularly felt during the Pop fine art motion on the 1960s, yet his work has too suggested mixed media and expressionistic tendencies. Although based in London for nearly of his career, Hockney'south almost famous paintings occurred during an extended trip to Los Angeles, in which he painted a series of scenes inspired past pond pools.

• 

  Alex Katz is an American figurative artist associated with the Popular fine art move. His works seem simple, but according to Katz they are more reductive, which is plumbing fixtures to his personality. Katz has received numerous accolades throughout his career, and has been the subject of a documentary and numerous publications.

• 

  American sculptor and painter George Segal is best known for his life-size plaster bandage figures, ofttimes in monochromatic white. He also worked with artists such every bit John Cage and Allan Kaprow at Rutgers University in the 1950s and 60s; Kaprow's famous "happenings" performances first took place on Segal'south farm in New Jersey.

• 

  Ed Ruscha is recognized as i of the leading figures of Popular art and Conceptualism on the West Declension. From his iconic images of gasoline stations to his 'word paintings,' his work is deeply influenced by the graphic arts and deals largely with themes of commercial civilization, language, and the mundane.

• 

  Robert Rauschenberg, a key effigy in early Pop art, admired the textural quality of Abstract Expressionism but scorned its emotional pathos. His famous "Combines" are part sculpture, function painting, and office installation.

• 

  Jasper Johns is an American artist who rose to prominence in the late 1950s for his multi-media constructions, dubbed by critics as Neo-Dada. Johns' work, including his world-famous targets and American flags series, were of import predecessors to Popular art.

• 

  Peter Blake is a British Pop artist that has fabricated many iconic images including the cover for the Beatles' Sgt. Pepper's Lonely Hearts Society Ring album.

• 

  Rosalyn Drexler powerfully repurposed media images and is at present becoming recognized every bit a primal feminist voice in the Pop Art movement.

Exercise Non Miss

• 

  The Pop art movement emerged in Britain before becoming enourmously popular in the United states. Early practitioners such as Eduardo Paolozzi and Richard Hamilton set the scene for the achievement of legends such as Warhol and Lichtenstein.

• 

  Photorealism is a manner of painting that was adult by such artists as Chuck Shut, Audrey Flack and Richard Estes. Photorealists oft utilize painting techniques to mimic the effects of photography and thus blur the line that take typically divided the ii mediums.

• 

  The Capital Realists shared a critical opinion toward the invasion of American consumerism into Due west Germany.

• 

  The creative history of the US stretches from ethnic fine art and Hudson River School into Contemporary fine art. Savour our guide through the many American movements.

Of import Fine art and Artists of Pop Art

I Was a Rich Homo's Plaything (1947)

Paolozzi, a Scottish sculptor and artist, was a fundamental fellow member of the British post-state of war avant-garde. His collage I Was a Rich Man's Plaything proved an important foundational work for the Popular Fine art movement, combining pop civilisation documents like a pulp fiction novel embrace, a Coca-Cola advertisement, and a war machine recruitment advertizement. The work exemplifies the slightly darker tone of British Popular Fine art, which reflected more upon the gap between the glamour and affluence present in American popular civilisation and the economic and political hardship of British reality. Every bit a member of the loosely associated Independent Group, Paolozzi emphasized the impact of technology and mass civilization on high art. His use of collage demonstrates the influence of Surrealist and Dadaist photomontage, which Paolozzi implemented to recreate the avalanche of mass media images experienced in everyday life.

Just What Is It That Makes Today's Homes So Dissimilar, So Appealing? (1956)

Artist: Richard Hamilton

Hamilton'due south collage was a seminal piece for the evolution of Pop Art and is often cited as the very first piece of work of the move. Created for the exhibition This is Tomorrow at London's Whitechapel Gallery in 1956, Hamilton'south image was used both in the catalogue for the exhibition and on posters advertising information technology. The collage presents viewers with an updated Adam and Eve (a body-builder and a burlesque dancer) surrounded past all the conveniences modern life provided, including a vacuum cleaner, canned ham, and a television. Constructed using a variety of cutouts from magazine advertisements, Hamilton created a domestic interior scene that both lauded consumerism and critiqued the decadence that was allegorical of the American mail service-war economical boom years.

President Elect (1960-61)

Artist: James Rosenquist

Similar many Pop artists, Rosenquist was fascinated by the popularization of political and cultural figures in mass media. In his painting President Elect, the artist depicts John F. Kennedy's face amongst an affiliation of consumer items, including a yellow Chevrolet and a piece of cake. Rosenquist created a collage with the three elements cutting from their original mass media context, and and then photograph-realistically recreated them on a monumental scale. Equally Rosenquist explains, "The face up was from Kennedy's campaign poster. I was very interested at that time in people who advertised themselves. Why did they put up an advertising of themselves? So that was his face. And his promise was half a Chevrolet and a piece of stale cake." The large-scale work exemplifies Rosenquist's technique of combining discrete images through techniques of blending, interlocking, and juxtaposition, also as his skill at including political and social commentary using popular imagery.

Useful Resource on Popular Fine art

videos

• 

  45k views

  The Shock of the New - Pop Fine art Our Option

  Art historian Robert Hughes series - episode vii - Culture as Nature

• Popular Go the Women The Other Story of Pop Art

  British historian Alistair Sooke tracks down the forgotten women artists of pop, finding their art and their stories ripe for rediscovery. Artists include Pauline Boty, Marisol, Rosalyn Drexler, Idelle Weber, Letty Lou Eisenhauer, and Jann Haworth

Individual Artist Overviews:

• 

  1.2M views

  Andy Warhol Documentary: The Complete Picture Our Pick

  The definitive, advisedly equanimous, 3 hour documentary on Warhol - and his part in Pop Fine art

• 

  43k views

  Roy Lichtenstein at the Tate Modernistic (2013) Our Pick

  Overview of the artist

• 

  3k views

  James Rosenquist

  Cursory overview by British art critic Alastair Sooke

• 

  87k views

  Claes Oldenburg

  Brief overview by MoMA

• 

  544k views

  Gerhard Richter

  Gerhard Richter talks about his life and piece of work with Nicholas Serota, Director of Tate

Art History Lectures:

• 

  1k views

  Critic Christopher Knight @ Smithsonian American Art Museum (SAAM) Our Pick

  Proposes that Warhol's subjects are not about popular culture, they are called for their very detail, art specific themes

• 

  1k views

  Leo Castelli: The First Global Gallerist Our Pick

  Professor and historian Annie Cohen-Solal overviews the life and brilliance of Leo Castelli, the gallerist that brought many Pop artists to fame from Rauschenberg to Rosenquist

articles

• Pop Art International: Far Across Warhol and Lichtenstein Our Selection

  A wait into the varying international aesthetics of the Pop Art movement / By Kingdom of the netherlands Cotter / The New York Times / February 25, 2016

• Where Are the Swell Women Pop Artists? Our Pick

  By Kim Levin / ARTnews Magazine / Nov 1, 2010

• Reconfiguring Popular Our Pick

  By Saul Ostrow / Art in American Mag / September 1, 2010

• TOP OF THE POPS - Did Andy Warhol change everything? Our Pick

  An extensive look (and investigation) into the life of Andy Warhol, through the context of his personal life and art making practices / By Louis Menand / The New Yorker / January 11, 2010

• The Pop Art Era

  By Deborah Solomon / The New York Times / Dec 8, 2009

• Tiptop Ten ARTnews Stories: The Outset Word on Pop

  ARTnews Mag / Nov i, 2007

• Pop Art Was Role French: Mais Oui! But Ask Them

  By Alan Riding / The New York Times / April 15, 2001

• The Arts and the Mass Media Our Pick

  Past Lawrence Alloway / Architectural Blueprint & Construction / Feb 1958

• James Rosenquist, Pop Art Pioneer, Dies at 83

  A snapshot of the life, work and inspiration for a Pop Art pioneer / By Ken Johnson / The New York Times / April 1, 2017

Content compiled and written past Justin Wolf

Edited and published by The Art Story Contributors

"Pop Art Move Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by Justin Wolf
Edited and published past The Art Story Contributors
Available from:
First published on 15 October 2012. Updated and modified regularly
[Accessed ]

kirbyfeativill.blogspot.com

Source: https://www.theartstory.org/movement/pop-art/

Share this post