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Rick and Tabitha at It Again

Written By الأربعاء، 16 مارس 2022 Add Comment Edit

Tabitha A. D'umo (née Cortopassi; born September eleven, 1973) and Napoleon Buddy D'umo (born October 17, 1968), known together as Nappytabs, are Emmy Honor-winning married choreographers who are oftentimes credited with developing lyrical hip-hop. They are best known for their choreography on the television show So Y'all Recollect You Can Dance and for being supervising choreographers and executive producers of America's Best Dance Crew. Since beingness with the former, their choreography has received both praise and criticism. They ain Nappytabs Urban Dancewear and take been working in the trip the light fantastic toe manufacture since 1996.

Tabitha and Napoleon grew upwards on opposite coasts of the U.s.a. and met in the early 1990s as students at the University of Nevada, Las Vegas. They began their trip the light fantastic toe career together while however in college by choreographing industrial musicals for large corporations with the hip-hop dance company Culture Shock. After moving to Los Angeles in 1999, they started teaching hip-hop classes at the Edge Performing Arts Center. They took additional jobs choreographing for professional sports dance teams and back-up dancing for musical artists. In 2003, they joined the kinesthesia of Monsters of Hip Hop dance convention.

Their work was introduced to mainstream audiences in 2008 when they became supervising choreographers on America's All-time Trip the light fantastic toe Crew and resident choreographers on And then You Retrieve You Tin can Dance. It was on the later on show that their lyrical hip-hop choreography manner gained exposure. The pair'south career progressed to providing creative direction for tours and live events by Christina Aguilera, Ricky Martin, Celine Dion, and Jennifer Lopez. They continued to develop their dancewear line by breaking out of its previously online-only presence and opening a physical shop location in 2010.

From television and concerts, their move into theater occurred gradually. In 2010, they directed the JabbaWockeeZ'southward MÜS.I.C. stage show and began to piece of work with Cirque du Soleil; they choreographed Viva Elvis and were contributing choreographers for Michael Jackson: The Immortal World Tour. They continued to establish themselves in goggle box as choreographers for Madonna's Super Bowl halftime performance. By 2015, they had choreographed several K-popular music videos for artists such as TVXQ, EXO, and BoA. Aside from their choreography, artistic direction, and dancewear line, Tabitha and Napoleon continue to teach hip-hop classes at dance studios and on the convention excursion. They have also been involved with charity work for organizations that support the arts.

Contents

  • 1 Life and career
    • 1.1 1968–1996: Early life and pedagogy
    • 1.2 1996–2007: Early career, dancewear, and creative directing
    • 1.iii 2008–2009: Trip the light fantastic shows and mainstream exposure
    • i.4 2010–2011: Phase productions and make expansion
    • one.5 2012–2016: Music videos, K-pop, and Las Vegas residencies
    • 1.half dozen 2017–present: Globe of Trip the light fantastic
  • 2 Choreography mode
    • 2.one Artistry
    • 2.2 Lyrical hip-hop
    • 2.iii Teaching
  • 3 Critical reception
    • 3.1 JabbaWockeeZ
      • 3.one.ane MÜS.I.C.
      • iii.one.2 PRiSM
    • 3.ii So Yous Recollect You lot Can Dance
      • iii.two.1 Seasons four, 5, and six
      • 3.2.2 Seasons 7 and eight
    • three.3 Make Your Move
  • four Awards and recognition
  • v Clemency piece of work
    • 5.1 Videos

Life and career [ ]

1968–1996: Early life and education [ ]

Napoleon was built-in October 17, 1968. While growing upwards as one of 3 children in Victorville, California, he learned b-boying, locking, and popping past traveling to Los Angeles and frequenting the b-boy scene; he was eventually cast as an extra in the flick Breakin' 2: Electrical Boogaloo in 1984. After Napoleon graduated from Apple Valley Loftier Schoolhouse, he joined the regular army and worked as a surgeon's banana while stationed in Germany. Once discharged, he attended the Academy of Nevada, Las Vegas (UNLV) where he majored in molecular biology and started taking jazz and modern dance classes.

Tabitha was born September 11, 1973, and grew upwardly equally an only kid in Galloway Township, New Jersey. Her mother enrolled her in jazz dance classes when she was young. Since in that location were no hip-hop classes, Tabitha learned by watching music videos and participating in her school's cheer and dance teams. She cites Michael Jackson, Janet Jackson, and Paula Abdul as influences. While cheerleading at Absegami Loftier Schoolhouse, Tabitha earned "All-American" condition at an NCA army camp and got the opportunity to perform in the Aloha Basin in Hawaii. Subsequently Tabitha graduated, she moved to Nevada in 1991 to nourish UNLV where she majored in communications and started taking formal hip-hop trip the light fantastic toe classes. It was there at a political party that she met Napoleon.

While hanging out with her cheerleading and dance team friends, Tabitha invited Napoleon and his torso edifice friends to come to a casual practice session and do stunt piece of work with them. Napoleon and his friends eventually attended a formal practice session on campus, and the cheerleading coach was and then impressed with their piece of work that they all received total scholarships to join the team. Tabitha and Napoleon started dating in 1994, but their professional partnership and trip the light fantastic career did non start until 1996 when they began teaching hip-hop classes together at the Las Vegas Athletic Club. Since the beginning of their career, they accept always worked together including their showtime choreography job and the first trip the light fantastic class they taught.

1996–2007: Early career, dancewear, and creative directing [ ]

While Tabitha and Napoleon were still in college, they were accepted into the trip the light fantastic company Civilisation Shock where they met members of the JabbaWockeeZ before the JabbaWockeeZ became a crew. In addition to going to school and being a part of Culture Shock, they both maintained function-time jobs. Together they worked at Bunker Dance Centre in Las Vegas teaching hip-hop classes. Separately Napoleon worked every bit a personal trainer and Tabitha worked at the Rio Hotel and Casino. While dancing with Culture Shock, Tabitha created demo reels of the company to send to event organizers who were having conventions in Las Vegas. Tabitha and Napoleon used this method to book choreography jobs and information technology was during this fourth dimension that they honed their lyrical hip-hop style. Through Culture Shock, they were hired to choreograph several industrial musicals for casinos and corporations such as Nike, Levi, Redken, Matrix Hair, and MAC. They eventually worked their style up from visitor dancers to go the artistic directors. Equally Tabitha and Napoleon'southward college graduation was approaching they decided to change their plans from a chore in public relations and medical school respectively to a career in the dance industry.

Tabitha and Napoleon were married April xix, 1998. In 1999, they moved to Los Angeles to expand their opportunities. Upon arriving in L.A., they taught hip-hop classes at the Edge Performing Arts Center. They found actress work equally back-up dancers for Beyoncé, Toni Braxton, Missy Elliott, Monica, Timbaland, Sisqó, and Destiny's Child whom they went on tour with in 2002. Their move from dancing into choreography occurred gradually. Jobs included choreographing performances for NFL and NBA trip the light fantastic teams including the Dallas Cowboys, Denver Broncos, Chicago Bulls, and Orlando Magic. In November 2002, they made the encompass of Trip the light fantastic Spirit magazine. They were profiled with seven other choreographers and interviewed about what it takes to make it as a dancer in Los Angeles. In 2003, Napoleon started educational activity classes with Monsters of Hip Hop trip the light fantastic convention. Tabitha joined him later and they are nonetheless permanent faculty members to this day.

In 2005, Tabitha and Napoleon started Nappytabs dancewear. They cite the lack of appropriate dancewear for the hip-hop dance customs as inspiration for the company. Early in its product, Tabitha sewed the wearing apparel herself. The Nappytabs logo began as a yin and yang like symbol with an "n" and a "t" overlapping in the center. The word itself—Nappytabs—is a combination of Napoleon (Nappy) and Tabitha's (Tab) nicknames. Contrary to popular belief, the proper noun 'Nappytabs' started as their clothing line first. They did not phone call themselves Nappytabs, and the word being a nickname to refer to both of them did not first until they became choreographers on And then Yous Recollect You Tin Dance.

Tabitha and Napoleon began creative directing phase shows and concerts in the mid-2000s. In 2006, they served as banana directors for Christina Aguilera's Dorsum to Basics Bout. In 2007, they were as well assistant directors for Ricky Martin's Black and White Bout. Both tours were directed by Jamie Male monarch who is known primarily for his work with Madonna.

The same yr, Tabitha appeared in two fitness DVDs. She was the host/instructor of Driblet it with Dance. The video is split into six 10-minute routines that gradually increase in difficulty; movements from all six routines are combined in the finale "Beginning" segment. She also appeared in Rock Your Body, which was hosted by Jamie King.

2008–2009: Trip the light fantastic toe shows and mainstream exposure [ ]

Tabitha and Napoleon became supervising choreographers for the inaugural season of America's Best Trip the light fantastic Crew in 2008. They were responsible for choreographing group routines, coming upwardly with trip the light fantastic toe challenges, and profitable the crews as needed with polishing their performances. Also in 2008, they took on hosting duties for Stone the Reception. On the evidence, they created nuptials dances for engaged couples and their hymeneals political party to perform at the reception. The participants were real life couples with no dance feel. In addition to America's Best Trip the light fantastic toe Crew and Rock the Reception, they joined the choreography and judging team on the quaternary flavour of So You Think You lot Can Trip the light fantastic toe . It was on this show that their lyrical hip-hop choreography manner gained mainstream exposure.

Lyrical hip-hop is a fluid and more interpretive version of standard hip-hop often danced to downtempo rap music or R&B music. The term itself was coined past choreographer and producer Adam Shankman in reference to a routine choreographed by Tabitha and Napoleon to Leona Lewis' song "Haemorrhage Honey". "Haemorrhage Dearest" was nominated for a 2009 Emmy Honour for Outstanding Choreography.[1] After the flavour concluded, Tabitha and Napoleon directed the 2008 So You lot Retrieve You Can Dance Tour.[2] They continued creative directing several other concerts throughout the rest of the year.

They teamed upwards with Jamie King again and served as assistant directors for Celine Dion'south Taking Chances Bout. [2] They directed Monsters of Hip Hop: The Show [iii] and America's Best Dance Coiffure Live which featured dance crews JabbaWockeeZ, Super Cr3w, Fanny Pak, ASIID, and Breaksk8. OMG! gave the concert a positive review stating that the v crews represented a expert mix of styles and that the concert brought the best parts of the show to the phase.[iv]

In January 2009, the Nappytabs dancewear website launched which began the beginning of online clothing sales.[5] The first version of their website was designed and maintained by Ryan Cyphert's 3nine Design media company.[vi] Cyphert is also a professional dancer and a colleague of Tabitha and Napoleon. At the time the website launched they all were faculty members at Shock the Intensive dance convention.[seven] When Tabitha and Napoleon joined And then You Recall You Can Dance, dancers on the show, also equally on America's All-time Trip the light fantastic Crew and Dancing With the Stars, were already wearing their clothing line during rehearsals. Some of the sponsors were non happy about it and wanted to cover the Nappytabs logo on the wear. In response to this, judge and executive producer Nigel Lythgoe decided to start calling Tabitha and Napoleon "Nappytabs" during the show so that viewers who looked them up on Google would observe their store'due south website.[eight] Template:Rp [9] [ten]

In April 2009, Tabitha and Napoleon choreographed two couples' routines and a group routine for the 2d flavor of And then You Call up You lot Can Trip the light fantastic toe Australia . The "Arab Money" hip-hop routine they choreographed received positive reviews from the judges but their "Dead and Gone" lyrical hip-hop routine, which was performed after on the same episode, received the most praise.[11] Bonnie Lythgoe called information technology the "top routine of the night".[xi] Jason Coleman added "the choreography [was] absolutely spectacular" and Matt Lee said it was "...probably the best routine in the series."[eleven] [12] While in Australia, Tabitha and Napoleon were judges at the 2009 Australian Hip Hop Championships in Sydney.[13]

Tabitha and Napoleon choreographed several television specials after in the yr. In September, they choreographed the opening dance sequence on the season seven premiere of The Ellen DeGeneres Prove .[fourteen] The routine featured both DeGeneres and the top ten dancers from flavor v of So You Think You Tin can Dance. At the 61st Primetime Emmy Awards, they choreographed a routine honoring dance[xv] that featured Karina Smirnoff and Maksim Chmerkovskiy from Dancing With The Stars; Katee Shean, Marker Kanemura, and Joshua Allen from So You lot Call up You Tin Dance; and 4 members of Quest Crew—the winners of season three of America'south Best Dance Coiffure. They finished the year with choreography for Carrie Underwood's All-Star Holiday Special [16] and Jennifer Lopez' functioning on Dick Clark's New year's day's Rockin' Eve with Ryan Seacrest .[xvi]

2010–2011: Phase productions and brand expansion [ ]

In 2010, Tabitha and Napoleon returned to So You Call up You Can Dance (SYTYCD) for season seven and started to work with four dissimilar productions of Cirque du Soleil. In February, they provided choreography for Cirque du Soleil's Viva Elvis show at the Aria hotel in Las Vegas.[17] They also choreographed a Viva Elvis guest appearance on Dancing with the Stars.[eighteen] On SYTYCD, they choreographed routines for the contestants as well as one invitee performance for the bandage of Cirque du Soleil's Beatles Love .[19] They worked with Love again at the NHL awards [20] and with their sister Cirque productions Kà , for a guest performance on America's Got Talent, and Mystère , for a invitee operation on Lopez This evening .[2] Subsequently SYTYCD ended, they appeared as guest choreographers on the Ukrainian version of the prove called Everybody Tin Dance! / Танцюють всі!.[21]

Template:External media Aside from choreography, Tabitha and Napoleon continued to develop and expand their dancewear line. In May, they opened the Nappytabs store and dance studio in the N Hollywood Arts District.[22] [23] [24] Although they design their ain clothing, they commissioned some print and t-shirt designs from Alex Lodermeier who has also designed for Propr,[25] a wearable line owned past Ben Harper, David Arquette, and David Bedwell.[26] Through Nappytabs, they too started to sponsor The Pulse on Tour dance convention[27] and the Industry Voice online newsletter.[28] Their clothing appears in contained R&B singer John Gillette's music video "All Bad". Tabitha was a featured dancer in the video and Napoleon made a cameo appearance at the end.

Too in May, the JabbaWockeeZ' MÜS.I.C. (pronounced MUSE-i-come across) phase show, which Tabitha and Napoleon directed, opened at the MGM Chiliad Las Vegas hotel.[29] MÜS.I.C. was the start hip-hop dance stage show on the Las Vegas Strip.[thirty] [31] The show was xc minutes long involving dancing, comedy, and magic.[32] In October, MÜS.I.C. moved to the Monte Carlo Resort and Casino.[33] At the Monte Carlo premiere, the JabbaWockeeZ brought Tabitha on phase for a cameo advent.[34]

File:Nappytabs IRIS.jpg

Tabitha and Napoleon in 2011 at the world premiere of Iris by Cirque du Soleil.

In February 2011, Tabitha and Napoleon fabricated their music video directorial debut with the song "All These Boys" by Jasmine Villegas.[21] Unlike John Gillette's "All Bad" they did not trip the light fantastic toe or appear in the video, but they did serve as the choreographers.[35] In the Spring, they returned to working in tv set with two projects. At the invitation of Nigel Lythgoe, they joined the production crew on the tenth flavor of American Idol equally staging and creative directors,[36] a position they continued to concur for season 11.[ii] They too choreographed the Howie Mandel-produced television prove Mobbed which premiered afterward American Idol on March 31, 2011.[37] The airplane pilot episode was actually shot in September 2010,[38] but after drawing 10.8 million views it was picked upwards equally a serial.[39]

In April 2011, they started piece of work on the pic Make Your Movement starring Derek Hough from Dancing With the Stars and Yard-pop singer BoA Kwon.[40] [41] [42] Their relationship with BoA extended past the product of the film when they choreographed the music video for her song "Just One"—the title track from her 7th studio album.[43] SeoulBeats.com called Tabitha and Napoleon's involvement "beyond perfect" and acknowledged that using lyrical hip-hop suited the vocal's tempo and BoA's movement.[44] Due to scheduling conflicts with the product of Make Your Motility, Tabitha and Napoleon did not return to America'south Best Trip the light fantastic toe Crew as supervising choreographers for flavor 6.[45] [46] When filming was complete, they did render to Cirque du Soleil as two of ten choreographers for Michael Jackson: The Immortal World Tour .[47] Like other phase shows they've worked on in the past, this ane was too directed by Jamie King.[48] In the midst of all their professional accomplishments during the year, Christmas 2011 brought personal changes every bit Napoleon announced on their Twitter page that Tabitha was significant.[49]

2012–2016: Music videos, K-popular, and Las Vegas residencies [ ]

Tabitha and Napoleon spent the beginning of 2012 apart. While Tabitha was choreographing Madonna'due south halftime performance for Super Bowl XLVI,[50] Napoleon was shooting more scenes for Make Your Move and scouting for the 7th season of America'southward Best Trip the light fantastic toe Crew.[51] Although they never returned to America's Best Dance Crew as supervising choreographers, they did return in season eight every bit co-executive producers[52] Subsequently the Super Bowl, Tabitha worked with Madonna once more. She choreographed her music video "Girl Gone Wild" which featured all-male Ukrainian trip the light fantastic toe troupe Kazaky.[53] During the last months of the yr, Tabitha and Napoleon connected to piece of work with Chiliad-pop artists. They choreographed the music videos "Humanoids" by TVXQ and "I Got A Boy" past Girls' Generation.[54] TVXQ, Girls' Generation, and BoA are all signed to S. M. Entertainment.

File:2009 BoA4.jpg

K-pop vocalizer BoA performing in 2009 at San Francisco Pride.

In Apr 2013, Tabitha and Napoleon choreographed the music video "Puttin' on the Ritz" by Herb Alpert.[55] 2 months later, they recreated the video on SYTYCD every bit the opening routine for flavour ten's Top 20 performance episode. Yahoo! Music called the performance "absolutely epic".[56] Like the video, information technology was also shot in one take and several people fabricated cameo appearances including Sean Cheesman, Travis Wall, Chris Scott, Nigel Lythgoe, Mary Murphy, Jason Gilkison, Herb Alpert, Lani Hall, and Tabitha and Napoleon themselves.[55]

In Feb 2014, Tabitha and Napoleon teamed upwards with TVXQ over again to choreograph their music video "Spellbound"—the title track from their seventh album. Just like Alpert'southward "Puttin' on the Ritz", this video was shot in 1 have, and just similar BoA'southward "Merely One", SeoulBeats.com gave it a positive review: "With two people in the group, there is non much of an opportunity to play around with different formations. Yet, Nappytabs tends to utilize this germination for TVXQ – rotating the members in the foreground and groundwork, instead of ever keeping the two in the centre. And this works especially well with the one-shot style, since it allows room for the duo to work the entire space on set, on and off-photographic camera."[57] Billboard.com also gave the video a positive review: "The duo makes a stiff case for 2014's best choreography in the [Spellbound] video."[58] Tabitha and Napoleon likewise choreographed Super Inferior-Yard'southward music video "Swing"—the championship rails from their third EP.[59] They briefly returned to the stage as directors for ballroom dancers Derek and Julianne Hough's Move Live on Bout.[60] [61]

Subsequently the Motility tour, Tabitha and Napoleon continued to work on music videos. They choreographed Ed Sheeran'southward music video for the single "Thinking Out Loud".[62] Since its premiere, the video has clustered over 1.2 billion views.[63] They directed and choreographed the music video for "Harlem Hopscotch", the kickoff single from Maya Angelou's posthumous verse album Caged Bird Songs. The video premiered December 23, 2014, on Oprah.com and features cameo appearances by Derek Hough and actress Zendaya.[64]

The showtime of 2015 marked a return to Thousand-pop. They choreographed BoA's "Buss My Lips" and EXO'southward "Call Me Baby" and "Monster".[65] Afterward, they directed and choreographed Mariah Carey's Number i's residency at Ceasar'southward Palace hotel[66] and re-choreographed Beatles Love at the Delusion Resort and Casino.[67]

2017–present: World of Dance [ ]

Tabitha and Napoleon volition serve every bit supervising choreographers for Globe of Trip the light fantastic (WOD), a television show based off the hip-hop dance competition of the same proper noun.[68] This project will serve equally a continuation of a long professional person partnership they've had with Jennifer Lopez; her company Nuyorican Productions is developing the show.[69] Tabitha and Napoleon worked with Lopez in 2009 when they choreographed her performance at the American Music Awards .[70] They besides choreographed her 2011 music video "Papi",[71] her 2014 A.K.A. promotional bout,[72] and her 2016 All I Have residency at the Planet Hollywood Resort & Casino.[73] Tabitha and Napoleon's relationship with WOD goes back to 2014 when they were judges at the competition's Los Angeles tour finish.[74]

Choreography way [ ]

Artistry [ ]

Tabitha and Napoleon's choreography is primarily hip-hop;[75] however, information technology varies across genres depending on what project they're working on. For case, on America's Best Trip the light fantastic Coiffure all of the group routines they choreographed were hip-hop. However, on So You Think You Can Dance (SYTYCD) they choreographed a few jazz routines[10] and on Cirque du Soleil their work incorporated acro.[76] In general, their choreography emphasizes big visuals, which they aspect to their cheerleading past,[77] and is "...largely centered on storytelling and concrete comedy."[78] Inspiration for lifts is taken from lucha libre, adagio, and swing dance.[10] The style they are virtually known for is lyrical hip-hop.

Lyrical hip-hop [ ]

Lyrical dance is a studio-based dance fashion that uses a combination of classical dance techniques from jazz and ballet to tell a story through movement.[79] With jazz and ballet, technique alone can provide a good performance but in lyrical trip the light fantastic toe expressing emotion is emphasized but equally much every bit technique.[79] Hip-hop is an urban dance style that is characterized every bit hard-striking involving isolations[80]—moving certain body parts independently from others—and musicality,[81] the trunk'southward sensitivity to changes in music. Hip-hop can incorporate motility from its substyles locking, breaking, popping, and boogaloo to add a different motion quality just conveying emotion does not have to be present equally the dance is more virtually bravado and personal enjoyment. Lyrical hip-hop is a fluid and more interpretive version of standard hip-hop. It combines the nuances of lyrical dance with the vocabulary and foundational movements found in hip-hop. According to Dance Spirit mag, what differentiates lyrical hip-hop from standard hip-hop is that dancers translate the beat differently.[82] In lyrical hip-hop in that location are still isolations, gliding, and body waves just like in standard hip-hop. Nevertheless, the movements are smoother and more fluid rather than difficult-hitting and, like lyrical trip the light fantastic toe, emphasis is placed on storytelling and conveying emotion through the choreography.[82]

Template:Quote box Lyrical hip-hop first gained mainstream exposure, and its name, in 2008 on season 4 of SYTYCD. The term itself is credited to Adam Shankman, a choreographer and judge on the programme, who fabricated a comment in reference to a routine choreographed by Tabitha and Napoleon D'umo to Leona Lewis' song "Bleeding Honey".[82] Due to Shankman's comment and their subsequent work on seasons 4 through seven, Tabitha and Napoleon are credited with developing this style.[83] [22] [70] [84]

Some hip-hop purists feel the interpretive and softer approach means lyrical hip-hop is not hip-hop at all. From a purist perspective, dancing to the lyrics would make the choreography linear and likewise technical.[82] This is considering dancing to the words would accept precedence over dancing to the beat. Traditionally in hip-hop, dancing to the beat is essential; lyrics tin accent the move, but the beat is the guiding force for the dancing.[85] Other hip-hop dancers, such as choreographer Shane Sparks, believe that lyrical hip-hop is hip-hop but non different enough for information technology to accept a carve up label or be in its ain subgenre.[82]

Education [ ]

Although Tabitha and Napoleon have a solid career in choreography and creative direction, they spend a significant amount of time pedagogy classes at dance studios and conventions. They have stated that pedagogy helps their choreography because it keeps them current on new hip-hop social dances (political party dances).[78] They are kinesthesia members at Monsters of Hip Hop dance convention.[86] In the past they have taught at Shock the Intensive,[7] the Edge Performing Arts Center, Millennium Dance Complex, Hip Hop International, Dance Rush, Seattle Theater Grouping, Littoral Dance Rage, the Dance Teacher Web Briefing and Expo, Teen Dance Company of the Bay Area, Leap, Xtreme Trip the light fantastic Force, ProDance, Triple Threat Dance, Project 818, Boogiezone, iHollywood, the So You Think Y'all Can Dance Feel, Trip the light fantastic toe! The Convention, the Hollywood Summertime Tour, Velocity, Radix, The Zoo, and VIP Trip the light fantastic Events.[87]

Critical reception [ ]

JabbaWockeeZ [ ]

The JabbaWockeeZ performed the evidence MÜS.I.C. from May 2010 to September 2012. Over the grade of their two-yr run, the evidence received mixed reviews. For their second bear witness PRiSM they signed a vi-yr bargain which included building a new 830-seat theater in a space that used to house a motion-simulator ride.[88] Upon opening, PRiSM was met with positive reviews. Tabitha and Napoleon directed both shows.

MÜS.I.C. [ ]

File:JabbaWockeeZ in San Jose.jpg

The JabbaWockeeZ performing in 2008 at Bright Nightclub in San Jose, CA.

The start run of MÜS.I.C. was held at the MGM Grand Las Vegas hotel and casino. Las Vegas Weekly wrote that MÜS.I.C. had "game-changing potential" because it was the start time hip-hop dance had headlined a testify on the Las Vegas Strip.[89] In dissimilarity, the Las Vegas Review-Journal (LVRJ) criticized the show for being repetitious and for having a bare stage for the first twenty minutes.[xc] LVRJ also criticized the use of masks as not highly-seasoned to a casual viewer because information technology inhibited the dancers' personality: "Fifty-fifty if a generational separate is in play hither, it would be tough to hear the creators argue that the evidence would suffer if, after 20 minutes or so -- gasp! -- makeup or clown-face replaced the masks to expand the original concept."[ninety] In October 2010, the bear witness moved to the Monte Carlo Resort and Casino. Changes to the original testify included a bigger phase, a new set, and added dance routines.[91] CraveOnline.com called the new show "amazing"[92] and Zap2It.com described information technology as "a vibrant, frenetic and multi-genre extravaganza of visuals, sound and motion."[34]

In Apr 2012, the Jabbawockeez began running 2 MÜS.I.C. shows in tandem. Some members stayed with the flagship show in Las Vegas while the others took the show on limited residencies elsewhere. Their first residency outside Las Vegas was in Commonwealth of australia at the Jupiters Hotel and Casino in Gold Coast, Queensland.[93] Gilt Coast Magazine gave the testify a good review describing information technology as "magical... it truly does stir an emotional response through your soul and the combination of dance and drama make it appealing to all ages."[94] Afterward leaving Jupiters, the Jabbawockeez took upward a 2d calendar month-long residency in August 2012 at Harrah's Resort Atlantic City casino in New Jersey. Philly.com gave information technology a lukewarm review: "The problem is that as good as Jabbawockeez is at what [they do], the novelty wears off near a 3rd-way through the prove... the bulk of the performance pretty much offers little more than than variations on a theme. As such, Jabbawockeez would accept much more impact as a featured act in a variety show than it has on its own."[95] The members that stayed in Las Vegas temporarily moved into an 800-seat tent exterior the Monte Carlo to go on their show. VegasChatter.com reviewed the tent bear witness and chosen it "an entertaining, fun, and interactive operation prove."[96] They performed in the tent from June 2012 through September 2012 with the understanding they would take up residence in the Luxor Las Vegas hotel and casino in the Spring of 2013.[97]

PRiSM [ ]

The JabbaWockeeZ second stage show PRiSM opened at the Luxor Las Vegas on May 31, 2013. The show's original title was Nonsense (a nod to the crew's proper noun) because, at the time, they lacked a cohesive theme. However, it was Napoleon'due south idea to change the title to PRiSM since in that location are seven coiffure members and when low-cal goes into a prism, seven colors sally (the Luxor hotel is in the shape of a triangular prism). From that betoken on, unity and color became the themes of the evidence[88] and the title was given the backronym Painting Reality in a Spectrum of Movement.[98]

PRiSM received positive reviews. Las Vegas Weekly wrote "Those who deride the art of pantomime or breakdancing need to check this testify out. Information technology will change your mind."[99] Las Vegas Dominicus (LVS) described the show equally "a mix of great choreography, interesting storylines and special effects reminiscent of Electric Daisy Carnival...". LVS also wrote "Information technology'due south great to see a different kind of headliner — in content and ethnic makeup — thriving on the Strip."[100] Vegas Kool stated that the new theater "...is laid out [so] anybody has a great view of the stage."[101] Las Vegas Review-Journal (LVRJ) directly addressed Tabitha and Napoleon's involvement in "...turning the Jabbawockeez brand into an oddly endearing mix of mime, modernistic dance and physical theater."[102]

Several reviewers noted that overall PRiSM is better than MÜS.I.C. LVRJ wrote "...it all seems to hang together better this time, with a seamless menstruation and unifying themes of alliance and variety."[102] Trip the light fantastic toe Track Mag wrote "Not merely does the prove accept a much more intimate feel than previous Jabbawockeez shows, merely PRiSM besides includes increased audience participation, intensified humor and a storyline that is dramatic and flows through the entire performance."[103] IGoShows.com had the aforementioned observation: "...the [previous] shows were plagued by lost opportunities, undeveloped ideas, and repetition. They seem to have corrected these shortcomings. 'Prism' is better in almost every way over its predecessors. The show has a cohesiveness that it never had before, good follow-through on ideas, and far more than intriguing staging. The choreography is strong, varied, and doesn't suffer the repetition that had invaded it previously."[104]

And then You Think You Can Dance [ ]

About criticism of Tabitha and Napoleon's choreography has come as a result of their work on So You Call back Yous Can Dance (SYTYCD). Over the course of their involvement with the evidence, they take received mixed reviews. At worst, their choreography has been criticized as "softie hip-hop (more like 'hip-pop')".[105] At all-time, information technology has been described equally "amazing"[106] and "bring[ing] out the all-time in their dancers...".[107]

Seasons iv, v, and half dozen [ ]

Template:Quote box Lyrical hip-hop gained exposure and popularity during Tabitha and Napoleon'southward first season with SYTYCD (season four). On the kickoff performance episode, contestants Katee Shean and Joshua Allen performed a D'umo choreographed lyrical hip-hop slice to the song "No Air" by Jordin Sparks. This routine received positive reviews and was afterwards chosen equally a "Judges' Favorite" by judge and executive producer Nigel Lythgoe to be performed once again during the finale.[108] BuddyTV.com wrote that the routine deserved an Emmy nomination.[109] Although Tabitha and Napoleon were not nominated for "No Air", they were nominated for "Bleeding Beloved", another lyrical hip-hop routine performed by Marking Kanemura and Chelsie Hightower which the San Francisco Gate called a "bang-up drama from hip-hop choreographers Tabitha and Napoleon D'Umo, danced with chemical science and theatrical flair."[110] This routine was picked every bit a "Judges' Favorite" by choreographer and judge Christopher "Lil' C" Toler.[108] In June 2010, TVSquad.com named "No Air" and "Haemorrhage Honey" two of the 10 best routines from all seasons of SYTYCD.[111] A tertiary Tabitha and Napoleon lyrical hip-hop routine choreographed to Alicia Keys' song "Like You'll Never Meet Me Over again" did not receive equally much disquisitional praise or attention as "Bleeding Beloved" or "No Air"; still, Nigel Lythgoe confessed when giving feedback on the trip the light fantastic that season four was the commencement time he had been emotionally affected by hip-hop routines.[112]

Seasons five and half-dozen brought less praise for Tabitha and Napoleon. During season 5's Top 8 performance episode, Lythgoe commented after a hip-hop routine choreographed by Shane Sparks "It'due south wonderful to have Shane Sparks back this season. He brings something else... I've been a fiddling disappointed with our hip-hop this year."[113] Out of the ten hip-hop routines (both couples and grouping routines) choreographed on season 5 previous to Lythgoe's comment, Tabitha and Napoleon choreographed seven. The most meaning criticism came during flavor six in response to "People are Strange"—a routine about how aliens would attempt to dance hip-hop. None of the judges liked the routine. Lythgoe said the routine placed concept (theme) over substance (dancing).[114] All the judges felt that the dance was weird and that the choreography was more to blame for the dancers' operation than the dancing itself.[114] Of the routine "Give it to me Correct" that Tabitha and Napoleon choreographed on a after season six episode about two fraternizing office employees, TVSquad.com wrote that many parts were awkward and that the dance merely became enjoyable once the dancers "stopped cavorting around the desk-bound and got out on the floor."[115] In contrast to the mediocre to bad reviews, ii other routines they choreographed were picked as "Judges' Favorite" during the flavour 6 finale: "Beggin'" (chosen by Lil' C) and "I Can Transform Ya" (chosen by Mary Irish potato).[116]

Seasons vii and eight [ ]

Tabitha and Napoleon received their all-time reviews on SYTYCD during season seven later on a performance they choreographed to the vocal "Outta Your Heed" by Lil Jon. Creators.com called the routine "brilliantly imaginative."[117] Pioneer Local called it "powerful... It'southward been so long since [Tabitha and Napoleon] have had a showstopping hip-hop number on SYTYCD. Not since Season 4 when they had Katee, Joshua, tWitch, Marking and Chelsie take they pulled out hip-hop this skilful."[118] The routine was performed by ballet dancer Alex Wong and "All-Star" hip-hop dancer Stephen "tWitch" Dominate from flavor four. The concept is about a psychologist (tWitch) who teaches a dancer (Alex) to let go of his technique and inhibitions and only dance. After the operation, tWitch and Alex received a standing ovation from the crowd and all iii judges—Nigel Lythgoe, Mia Michaels, and Adam Shankman. Host True cat Deeley commented "I have never, never, in 'Then You Think You lot Tin can Trip the light fantastic toe' history, heard a roar from a crowd like this - ever."[119] Lythgoe called the concept "brilliant... This is almost a ballet dancer doing the most incredible hip-hop... If this routine and you are not upwardly for an Emmy with Napoleon and Tabitha next year, I don't know why not. It's probably one of the funnest, best hip-hop routines we've e'er had on this show."[120] In slight disagreement, the Wall Street Journal noted that "Outta Your Mind" may in fact be nominated for an Emmy, but it is unlikely to win considering past winners have all been lyrical, very emotional routines.[121]

File:EllenTwitchSYTYCD.png

A screenshot from the So Yous Recollect You Can Dance season 7 finale showing Ellen DeGeneres and hip-hop dancer tWitch performing "Outta Your Mind".

On a later episode, Tabitha and Napoleon choreographed a lyrical hip-hop routine to Alicia Keys debut single "Fallin'." Of the trip the light fantastic toe, judge Mia Michaels stated "That to me felt more real than whatever contemporary piece, honestly, because information technology came from such a raw raw space and place. That was admittedly unbelievable, and information technology was like watching a dance film."[122] Lythgoe stated that the dance reminded him of "Bleeding Love" and "No Air" from season four and added "Somehow Napoleon and Tabitha have this ability... to put emotion into hip-hop routines and it really is a existent talent."[122]

The positive reviews continued through the balance of the season. Of Tabitha and Napoleon'south "Scars" routine about aroused clowns, Lythgoe called the piece "stunning" and Michaels described it as "hip-hop theater".[123] After the episode aired, Dance Spirit magazine wrote "Tabitha and Napoleon are on FIRE this flavour!"[124] The Los Angeles Times echoed this annotate stating that season 7 had been "Nappytabs' best flavour".[125] On the Top 3 functioning episode, after their "Power" routine danced by eventual champion Lauren Froderman and "All-Star" tWitch, Michaels commented "Nappytabs what a season you take had, my God. It's been like home run after dwelling house run after dwelling run...".[126] Shankman echoed this comment on the finale by calling Tabitha and Napoleon "the MVPs of the flavor".[127] Four of their routines—"Fallin'", "Scars", "Boxing for the Beat out", and "My Chick Bad"—were chosen every bit "Judges' Favorite" during the season 7 finale broadcast.[128] Due to an injury sustained by Alex Wong, "Outta Your Mind" was not picked as a guess'southward favorite. Instead, information technology was performed by tWitch and special invitee Ellen DeGeneres equally a tribute to Alex just earlier Lauren Froderman was declared the winner of season seven.[128]

Season eight brought dorsum mixed feedback. Early in the season, Tabitha and Napoleon choreographed a lyrical hip-hop routine "Coming Home" about a veteran coming back to his wife after returning from his deployment. The routine generated positive while emotional responses causing both guest guess Debbie Reynolds and resident judge Mary Murphy to cry while giving feedback.[129] The Star Ledger placed "Coming Home" at number iii in its list of the summit five routines performed during flavor 8.[130] Tabitha and Napoleon choreographed another lyrical hip-hop routine "I Got Y'all" on the Top 16 performance episode. Celebuzz.com called the routine "dramatic and breathtaking".[131] The dance generated positive reviews from the judges causing them to spontaneously buss one some other in response to a osculation that was choreographed into the dance.[131] On the Peak 8 operation episode, Lady Gaga appeared as a guest judge in which three hip-hop routines were performed. Although Tabitha and Napoleon choreographed two of them, she criticized their work while giving feedback on all three. She indirectly criticized them after a lyrical hip-hop piece choreographed by Marty Kudelka in which she referred to the trip the light fantastic style as "dated".[132] Of the two routines they did choreograph, she criticized their use of props in both of them.[133] A flower was used in the showtime routine "Take a Bow" almost a adulterous boyfriend asking for forgiveness. Several props including trash cans, rags, and brooms were used in the 2nd routine "Bad Boys for Life" near waste management workers. Aside from disliking the props, she described their hip-hop choreography for "Bad Boys for Life" as "contrived".[134] [135] On the finale, "Coming Home" was non picked every bit a "Judges Favorite" but ii other routines they choreographed, "I Got Yous" and "Suspension Ya Cervix", were called instead past judges Nigel Lythgoe and Lil' C respectively.[136]

Make Your Move [ ]

Template:See also Brand Your Move was released in Due south Korea and the United states of america in Apr 2013. With the exception of a make-out scene the choreography was generally praised among critics. The Washington Postal service stated "Although the chip of bedroom footwork was more laugh-inducing than anything, some of the dancing actually is spectacular. Scenes from the competing clubs include impressive choreography and gravity-defying moves."[137] KPopStarz.com wrote "The dance teams and performances are enough to dominate the scenes, and definitely deserve a look. They bring along the unique amuse of watching a trip the light fantastic toe movie."[138] RogerEbert.com stated "'Brand Your Move' rests on the success of its diverse trip the light fantastic sequences, non its plot. And the dancing here is heady, innovative, and specific. Each 'number' has a story behind it, a motivation, a dissimilar expect and feel... I could take lived without the choreographed (literally) foreplay scene, as they dance their way to the bed, merely there are other dance sequences between the two where their chemistry vibrates off the screen."[139] The Hollywood Reporter said "The Romeo and Juliet-inspired plotline basically serves as a framing device allowing the opportunity for a plethora of exuberant dance sequences that particularly show off Hough'due south considerable talent."[140]

Awards and recognition [ ]

Primetime Emmy Awards
Tabitha and Napoleon accept won 2 Emmys from a full of iv nominations. At the 2013 Primetime Emmy Awards ceremony, they joined the other choreography nominees and created a routine honoring dance that was performed only before the Outstanding Choreography award was presented. 2013 was the first yr the Outstanding Choreography award was presented at the Primetime Emmys telecast rather than at the Creative Arts Emmys ceremony which takes place a week prior.[141]

Yr Award Result
2014 Outstanding Choreography Template:Won [142]
2013 Outstanding Choreography Template:Nom [143]
2011 Outstanding Choreography Template:Won [144]
2009 Outstanding Choreography Template:Nom [1]

MTV Video Music Awards

Year Award Outcome
2015 Best Choreography Template:Nom [145]

Dancers' Choice Awards

Yr Award Result
2016 America's Favorite Choreographer Template:Won [146]
2014 Favorite Choreographer Template:Nom [147]
2014 Favorite Concert Choreographer Template:Won [147]
2013 Most Popular Choreographer for TV, Film, and YouTube Template:Won [148]

The Carnival Choreographer's Ball

Year Laurels Result
2016 Lifetime Achievement Award Template:Won [149]
2014 Industry Innovators Award Template:Won [150]

World of Dance

Year Laurels Result
2012 Decade of Dance Template:Won [151]

Entertainment Weekly
In 2011, Entertainment Weekly compiled a list of the "25 Best Performances Ever" on So You Think You Can Dance. Tabitha and Napoleon choreographed 4 routines on the list.[152]

Year Work Rank
2011 "Outta Your Mind" #i
"No Air" #2
"Bleeding Dearest" #11
"My Chick Bad" #23

Charity work [ ]

Tabitha and Napoleon have donated money and their time to dissimilar not-profit organizations. In 2009, they made an appearance at the Life Irresolute Lives Gala, the proceeds of which benefited the Wounded Warrior Project, the Make-A-Wish Foundation, and the Boys & Girls Clubs.[83] At the effect, dancers Katie Shean and Joshua Allen from season four of So You Think Yous Can Dance performed the D'umo choreographed "No Air" lyrical hip-hop routine about a soldier telling his girlfriend he is beingness deployed.[153]

In the wake of the 2010 Republic of haiti earthquake, Tabitha and Napoleon held a week-long fundraiser from online sales of their dancewear line.[154] The money raised was donated to Artists for Peace and Justice who in plow gave 100% of their donations toward humanitarian relief efforts.[155] For a separate fundraiser, they donated Nappytabs merchandise for a silent auction held by the system Art4Life to do good the American Cancer Society.[156]

In 2012, they taught classes at "The JabbaWockeez Experience" held at the Alexis Park Resort in Las Vegas. The event raised money for the Monsters on the Move Foundation which grants scholarships to aspiring dancers.[157]

In 2013, they worked with the Jabbawockeez again on a music video to the song "Celebrate" by Empire of the Sun and Tommy Trash. The music video too featured Les Twins, eight Flavahz, and Harry Shum, Jr. and was used to raise money for a Coke (RED) entrada to decrease the number of HIV-infected newborns and heighten awareness near AIDS.[158] For Veterans Day 2013, they choreographed a war machine themed performance for the Homeward Bound Telethon that aired live on the Military Channel. The purpose of the telethon was to heighten money for veterans who suffer from TBI and PTSD.

Tabitha and Napoleon are on the lath of directors of the Featherbrained Feet Foundation and the advisory board of The Immature Choreographers Festival.

Videos [ ]

NappyTabs_-_Secrets_Behind_Puttin'_on_the_Ritz_-_SYTYCD_10

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